A look at Al Jazeera English's approach to multi-platform content production and the 'opportunity' of user-generated content, based on an interview with managing director Al Anstey
For any broadcaster, one of the big questions on digital has been how to make the most of their video online and on mobile. Anstey explained how previously, the approach within the industry may have been to simply copy over television broadcast pictures onto the outlet's website. But times have changed, he said.
Today, the outlet will not only create a standard television package, around two minutes in length, but then aims to "de-construct' it.
From the video collected, the full-length interviews, the audio and the images, there is suddenly "an incredible amount of material which is available to us", he explained, when you go back to the roots of a TV package.
We need to make sure we're adding the value, we're adding the depth, we're giving the full picture, we're giving the backgroundAl Anstey, Al Jazeera
We need to make sure we're adding the value, we're adding the depth, we're giving the full picture, we're giving the background
This idea is supported by the nature of the web, and "greater space" available, he said, and results in "a much greater opportunity to engage with the content," he added.
"There is this mass of information out there. We as journalists need to get the integrity of that information absolutely right, but also we need to make sure we're adding the value, we're adding the depth, we're giving the full picture, we're giving the background, we're giving the content."
"If people want to know more, they can know more because of digital now."
Continuing with the theme of engagement, and there is also opportunity on digital platforms to interact with their audience "on the same level as them".
The key example of this at Al Jazeera English is The Stream, which was first launched by the outlet in April 2011. The daily programme utilises digital tools and social media platforms to hold open editorial meetings, engage with online communities around subjects of interest and even to bring in guests via the internet during the broadcast.
With a Twitter following of almost 120,000, community engagement is at the heart of The Stream, and the platform also recently launched a second-screen experience to support Al Jazeera America's version of the programme, in the form of a new app.
The app offers the reader further context and material to engage with in direct relevance to that day's programme, including polls to respond to.
Part of the digital strategy relies on a multi-platform mindset, but with the caveat of understanding where people have specialisms that should be maximised. And underpinning all of this, Anstey added, is the quality journalism itself.
Across the outlet's 80 bureaus there needs to be a general understanding of what the digital strategy is and why it is important, he said, and there also needs to be 'buy in' from every member of staff.
And while staff need to think in a multiplatform way, Anstey is also passionate about '[working] to people's strengths".
"Don't stretch what you've got in order to offer up more material," he said. Instead, "understand what the resourcing is required in order to make it happen".
For Anstey, what is most important is "the foundation of the journalism, and the storytelling and DNA of Jazeera".
And he also highlighted that establishing the digital strategy across the world will be a gradual process.
We need to be agile and nimble in terms of how we adjust to digital strategy, so it actually works within the real worldAl Anstey, Al Jazeera English
We need to be agile and nimble in terms of how we adjust to digital strategy, so it actually works within the real world
And he is also bearing in mind the way technology will similarly develop and change over time.
"We need to be agile and nimble in terms of how we adjust to digital strategy, so it actually works within the real world," he said. "In a year's time, our bureaus will fully understand and be engaged with the digital strategy, and understand what it means. But it will take time to get to that point."
Audience data is another area of development for Al Jazeera English. Anstey admitted that, like others, the outlet is not currently "fully-informed", when it comes to how audiences are consuming the outlet's content on mobile in particular.
And while the flow of user-generated content, particularly from places in the world where Western journalists are either sparse in numbers of it is deemed simply too dangerous for them to work there, has meant stories being told "that we would never, ever have known about" even as close as five years ago, he added that the opportunity presents a critical "challenge" for journalists. "The journalism's got to be as robust as ever to verify that information," he explained, also adding that he is passionate about journalists being transparent about what they know.
"You always declare your card on UGC," he said, adding that hoax content is also a risk.
"As the world gets smarter there are people who want to steer us off course, who are leveraging UGC and leveraging social media, to try and deliberately skew journalists off the real story," he said.
Therefore journalists must harness the opportunity, but in conjunction with "the highest ends of journalism".
And it should be something all journalists are thinking about when covering a story.
"It is part of what we do," Anstey said. "It's not siloed into big stories, it's not siloed into places where there aren't traditional journalists, like sometimes Iran or Syria."
No matter where the story may be, there is always the potential of user-generated content being part of your source material, so news outlets should "look at the UGC as much as we look at our own crews, and look at the agencies."
"It's got to be part of the journalistic job." he added, questioning how thoroughly a journalist who is not aware of the UGC opportunity can cover a story in today's world.
"If you had someone who didn't know about UGC content, or how to verify that, could they really, in this day and age, do a story in full? Without knowing what's out there?"
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